Thursday, December 26, 2013

Robert W. Chambers

Robert W. Chambers (1865-1933) was an American artist and
writer. He was born in Brooklyn, New York and is a direct 
descendant of Roger Williams (1603-1683), founder of 
Providence, Rhode Island. Chambers was first an art student 
and an artist, selling sketches to Vogue and Life magazine, 
then decided to dedicate himself to writing. He was a very 
prolific writer and besides odd tales he also wrote romantic 
fiction, historical fiction, and war and war adventure stories 
during WWI. His first novel,'In the Quarter', was written in 
1887 a melodramatic recounting of student life in Paris. His
most famous work is probably the collection of stories known 
as “The King in Yellow” (1895).  It is described as a group of 
eerie short stories. Most of the stories in the book are 
connected by the common theme of a fictitious drama which 
goes by the title- 'The King in Yellow', bad things happen to 
those who read it. His style influenced H.P. Lovecraft and 
others.  His novel 'Tracer of Lost Persons' , a crime drama, was adapted into a long-running radio drama 
                                                          (1937-1954). 

He was a man with many interests, art, history, antiques, 
conservation- as he is known to have planted some 20,000 trees, butterflies, oriental art and he enjoyed 
hunting and fishing. He wrote many historical novels spurred on by his interest in his ancestor, 
Roger Williams. He also wrote about Captain Kidd in his book “The Man They Hung". Sadly he died 
after a failed attempt at surgery to cure an intestinal illness, his brother was the famous architect 
Walter B. Chambers. Chambers was quoted as saying “I write the sort of stories which at the moment
it amuses me to write”, he was a popular author, had more than one best-seller to his name and wrote 
about various subjects, returning now and then to write his weird tales when it suited him. He borrowed
the place Carcosa, from Ambrose Bierce, as the place of his King in Yellow Tales and H.P. Lovecraft 
also used this setting for his Cthulhu stories. 
 
Bibliography of novels and story collections from Wikipedia:

  • In the Quarter (1894)
  • The King in Yellow (1895) – short stories
  • The Red Republic (1895)
  • The Maker of Moons (1896) – short stories
  • A King and A Few Dukes (1896)
  • With the Band (1896)
  • The Mystery of Choice (1897) – short stories
  • Lorraine (1898)
  • Ashes of Empire (1898)
  • The Haunts of Men (1898) – short stories
  • Outsiders (1899)
  • The Cambric Mask (1899)
  • The Conspirators (1899)
  • Cardigan (1901)
  • The Maid-at-Arms (1902)
  • The Maids of Paradise (1903)
  • In Search of the Unknown (1904)
  • A Young Man In a Hurry (1904) – short stories
  • The Reckoning (1905)
  • Iole (1905)
  • The Tracer of Lost Persons (1906)
  • The Fighting Chance (1906)
  • The Tree of Heaven (1907) – short stories
  • The Younger Set (1907)
  • Some Ladies in Haste (1908)
  • The Firing Line (1908)
  • Special Messenger (1909)
  • The Danger Mark (1909)
  • The Green Mouse (1910)
  • Ailsa Paige (1910)
  • The Common Law (1911)
  • The Adventures of a Modest Man (1911)
  • Blue-Bird Weather (1912)
  • The Streets of Ascalon (1912)
  • The Japonette (1912)
  • The Gay Rebellion (1913)
  • The Business of Life (1913)
  • Quick Action (1914)
  • The Hidden Children (1914)
  • Anne's Bridge (1914)
  • Between Friends (1914)
  • Who goes There! (1915)
  • Athalie (1915)
  • Police!!! (1915) – short stories
  • The Girl Philippa (1916)
  • The Better Man (1916) – short stories
  • The Dark Star (1917)
  • The Barbarians (1917)
  • The Laughing Girl (1918)
  • The Restless Sex (1918)
  • The Moonlit Way (1919)
  • In Secret (1919)
  • The Crimson Tide (1919)
  • A Story of Primitive Love (1920)
  • The Slayer of Souls (1920)
  • The Little Red Foot (1920)
  • The Flaming Jewel (1922)
  • The Talkers (1923)
  • Eris (1923)
  • The Hi-Jackers (1923)
  • America; or, The Sacrifice (1924)
  • The Mystery Lady (1925)
  • Marie Halkett (1925)
  • The Man They Hanged (1926)
  • The Drums of Aulone (1927)
  • The Sun Hawk (1928)
  • The Rogue's Moon (1928)
  • The Happy Parrot (1929)
  • The Painted Minx (1930)
  • The Rake and the Hussy (1930)
  • War Paint and Rouge (1931)
  • Gitana (1931)
  • Whistling Cat (1932)
  • Whatever Love Is (1933)

Published posthumously

  • Secret Service Operator 13 (1934) Copyrighted by Elsie M. Chambers
  • The Young Man's Girl (1934) Copyrighted by Elsie M. Chambers
  • The Gold Chase (1935) Copyrighted by Elsie M. Chambers
  • Love and the Lieutenant (1935) Copyrighted by Elsie M. Chambers
  • Beating Wings (1936) Copyrighted by Elsie M. Chambers
  • The Girl In Golden Rags (1936) Copyrighted by Elsie M. Chambers
  • The Fifth Horseman (1937) Copyrighted by Elsie M. Chambers
  • Marie Halkett (1937) Reprint. Copyrighted by Elsie M. Chambers
  • Smoke of Battle (1938) Copyrighted by Elsie M. Chambers; this novel was possibly finished by Rupert Hughes.

Children's books

  • Outdoorland (1902) Illustrated by Reginald Bathurst Birch
  • Orchard-Land (1903) Illustrated by Reginald Bathurst Birch
  • River-Land (1904) Illustrated by Elizabeth S. Green
  • Forest-Land (1905) Illustrated by Emily Benson Knipe
  • Mountain-Land (1906) Illustrated by Frederick Richardson & Walter King Stone
  • Garden-Land (1907) Illustrated by Harrison Cady

Collections containing reprinted work by Robert W. Chambers

  • The Hastur Cycle, edited by Robert M. Price, Chaosium 1993
  • The Yellow Sign and Other Stories, edited by S.T



    Quotes I've assembled from his works:
     
    I awoke to the saddest music I had ever heard. The room was quite dark, I had no idea what time it was. A ray of moonlight silvered one edge of the old spinet, and the polished wood seemed to exhale the sounds as perfume floats above a box of sandal wood.” (The Mask, from The King in Yellow by Robert W. Chambers)

    I left the river side, plunging blindly across to the Champs Elysées and turned toward the Arc. The setting sun was sending its rays along the green sward of the Rond-point: in the full glow he sat on a bench, children and young mothers all about him. He was nothing but a Sunday lounger, like the others, like myself. I said the words almost aloud, and all the while I gazed on the malignant hatred of his face. But he was not looking at me. I crept past and dragged my leaden feet up the Avenue. I knew that every time I met him brought him nearer to the accomplishment of his purpose and my fate. And still I tried to save myself.” (In the Court of the Dragon, from The King in Yellow, by Robert W. Chambers)

    "I could see your face," I resumed, "and it seemed to me to be very sorrowful. Then we passed on and turned into a narrow black lane. Presently the horses stopped. I waited and waited, closing my eyes with fear and impatience, but all was silent as the grave. After what seemed to me hours, I began to feel uncomfortable. A sense that somebody was close to me made me unclose my eyes. Then I saw the white face of the hearse-driver looking at me through the coffin-lid -- " (The Yellow Sign, from The King in Yellow by Robert W. Chambers)
    "For some time I tossed about the bed trying to get the sound of his voice out of my ears, but could not. It filled my head, that muttering sound, like thick oily smoke from a fat- rendering vat or an odor of noisome decay. And as I lay and tossed about, the voice in my ears seemed more distinct, and I began to understand the words he had muttered. They came to me slowly as if I had forgotten them, and at last I could make some sense out of the sounds. It was this:
    "Have you found the Yellow Sign?"
    "Have you found the Yellow Sign?"
    "Have you found the Yellow Sign?"
    I was furious. What did he mean by that? Then with a curse upon him and his I rolled over and went to sleep, but when I awoke later I looked pale and haggard, for I had dreamed the dream of the night before and it troubled me more than I cared to think." (The Yellow Sign, from The King in Yellow by Robert W. Chambers)


    Along the shore the cloud waves break,
    The twin suns sink behind the lake,
    The shadows lengthen
    In Carcosa
    Strange is the night where black stars rise,
    And strange moons circle through the skies,
    But stranger still is
    Lost Carcosa
    Songs that the Hyades shall sing,
    Where flap the tatters of the King,
    Must die unheard in
    Dim Carcosa.
    Song of my soul, my voice is dead,
    Die though, unsung, as tears unshed
    Shall dry and die in
    Lost Carcosa
    Cassilda's Song in "The King in Yellow" Act 1, Scene 2. by Robert W. Chambers
    Books are the blessed chloroform of the mind.
    ” 
    ― Robert W. Chambers Ah," she said, "to come is easy and takes hours; to go is different—and may take centuries.” 
    ― Robert W. Chambers, The King in Yellow 
    
    
    


Monday, October 14, 2013

A Poem for the Season...

  William Shakespeare (1564-1616)

                      from Macbeth
A dark Cave. In the middle, a Caldron boiling. Thunder.
                Enter the three Witches.
       1 WITCH.  Thrice the brinded cat hath mew'd.
       2 WITCH.  Thrice and once, the hedge-pig whin'd.
       3 WITCH.  Harpier cries:—'tis time! 'tis time!
       1 WITCH.  Round about the caldron go;
    In the poison'd entrails throw.—
    Toad, that under cold stone,
    Days and nights has thirty-one;
    Swelter'd venom sleeping got,
    Boil thou first i' the charmed pot!
       ALL.  Double, double toil and trouble;
    Fire burn, and caldron bubble.
       2 WITCH.  Fillet of a fenny snake,
    In the caldron boil and bake;
    Eye of newt, and toe of frog,
    Wool of bat, and tongue of dog,
    Adder's fork, and blind-worm's sting,
    Lizard's leg, and owlet's wing,—
    For a charm of powerful trouble,
    Like a hell-broth boil and bubble.
       ALL.  Double, double toil and trouble;
    Fire burn, and caldron bubble.
       3 WITCH.  Scale of dragon; tooth of wolf;
    Witches' mummy; maw and gulf
    Of the ravin'd salt-sea shark;
    Root of hemlock digg'd i the dark;
    Liver of blaspheming Jew;
    Gall of goat, and slips of yew
    Sliver'd in the moon's eclipse;
    Nose of Turk, and Tartar's lips;
    Finger of birth-strangled babe
    Ditch-deliver'd by a drab,—
    Make the gruel thick and slab:
    Add thereto a tiger's chaudron,
    For the ingrediants of our caldron.
       ALL.  Double, double toil and trouble;
    Fire burn, and caldron bubble.
       2 WITCH.  Cool it with a baboon's blood,
    Then the charm is firm and good.




Sunday, September 22, 2013

A Short Story by Bram Stoker

A Gipsy Prophecy

By

Bram Stoker



"I really think," said the Doctor, "that, at any rate, one of us
should go and try whether or not the thing is an imposture."

"Good!" said Considine. "After dinner we will take our cigars
and stroll over to the camp."

Accordingly, when the dinner was over, and the La Tour finished,
Joshua Considine and his friend, Dr. Burleigh, went over to the
east side of the moor, where the gipsy encampment lay. As they were
leaving, Mary Considine, who had walked as far as the end of the
garden where it opened into the laneway, called after her husband:

"Mind, Joshua, you are to give them a fair chance, but don't give
them any clue to a fortune-and don't you get flirting with any of the
gipsy maidens-and take care to keep Gerald out of harm."

For answer Considine held up his hand, as if taking a stage oath,
and whistled the air of the old song, "The Gipsy Countess." Gerald
joined in the strain, and then, breaking into merry laughter, the
two men passed along the laneway to the common, turning now and then
to wave their hands to Mary, who leaned over the gate, in the
twilight, looking after them.

It was a lovely evening in the summer; the very air was full
of rest and quiet happiness, as though an outward type of the
peacefulness and joy which made a heaven of the home of the young
married folk. Considine's life had not been an eventful one. The
only disturbing element which he had ever known was in his wooing
of Mary Winston, and the long-continued objection of her ambitious
parents, who expected a brilliant match for their only daughter.
When Mr. and Mrs. Winston had discovered the attachment of the young
barrister, they had tried to keep the young people apart by sending
their daughter away for a long round of visits, having made her
promise not to correspond with her lover during her absence. Love,
however, had stood the test. Neither absence nor neglect seemed
to cool the passion of the young man, and jealousy seemed a thing
unknown to his sanguine nature; so, after a long period of waiting,
the parents had given in, and the young folk were married.

They had been living in the cottage a few months, and were just
beginning to feel at home. Gerald Burleigh, Joshua's old college
chum, and himself a sometime victim of Mary's beauty, had arrived a
week before, to stay with them for as long a time as he could tear
himself away from his work in London.

When her husband had quite disappeared Mary went into the house,
and, sitting down at the piano, gave an hour to Mendelssohn.

It was but a short walk across the common, and before the cigars
required renewing the two men had reached the gipsy camp. The place
was as picturesque as gipsy camps-when in villages and when business
is good-usually are. There were some few persons round the fire,
investing their money in prophecy, and a large number of others,
poorer or more parsimonious, who stayed just outside the bounds but
near enough to see all that went on.

As the two gentlemen approached, the villagers, who knew Joshua,
made way a little, and a pretty, keen-eyed gipsy girl tripped up and
asked to tell their fortunes. Joshua held out his hand, but the girl,
without seeming to see it, stared at his face in a very odd manner.
Gerald nudged him:

"You must cross her hand with silver," he said. "It is one of the
most important parts of the mystery." Joshua took from his pocket a
half-crown and held it out to her, but, without looking at it, she
answered:

"You must cross the gipsy's hand with gold."

Gerald laughed. "You are at a premium as a subject," he said.
Joshua was of the kind of man-the universal kind-who can tolerate
being stared at by a pretty girl; so, with some little deliberation,
he answered:
"All right; here you are, my pretty girl; but you must give me a
real good fortune for it," and he handed her a half sovereign, which
she took, saying:

"It is not for me to give good fortune or bad, but only to read
what the Stars have said." She took his right hand and turned it palm
upward; but the instant her eyes met it she dropped it as though it
had been red hot, and, with a startled look, glided swiftly away.
Lifting the curtain of the large tent, which occupied the centre of
the camp, she disappeared within.

"Sold again!" said the cynical Gerald. Joshua stood a little
amazed, and not altogether satisfied. They both watched the large
tent. In a few moments there emerged from the opening not the young
girl, but a stately looking woman of middle age and commanding
presence.

The instant she appeared the whole camp seemed to stand still. The
clamour of tongues, the laughter and noise of the work were, for a
second or two, arrested, and every man or woman who sat, or crouched,
or lay, stood up and faced the imperial looking gipsy.

"The Queen, of course," murmured Gerald. "We are in luck to-night."
The gipsy Queen threw a searching glance around the camp, and then,
without hesitating an instant, came straight over and stood before
Joshua.

"Hold out your hand," she said in a commanding tone.

Again Gerald spoke, sotto voce: "I have not been spoken to in that
way since I was at school."

"Your hand must be crossed with gold."

"A hundred per cent at this game," whispered Gerald, as Joshua
laid another half sovereign on his upturned palm.

The gipsy looked at the hand with knitted brows; then suddenly
looking up into his face, said:

"Have you a strong will-have you a true heart that can be brave
for one you love?"

"I hope so; but I am afraid I have not vanity enough to say 'yes.'"

"Then I will answer for you; for I read resolution in your
face-resolution desperate and determined if need be. You have a
wife you love?"

"Yes," emphatically.
"Then leave her at once-never see her face again. Go from her now,
while love is fresh and your heart is free from wicked intent. Go
quick-go far, and never see her face again!"

Joshua drew away his hand quickly, and said, "Thank you!" stiffly
but sarcastically, as he began to move away.

"I say!" said Gerald, "you're not going like that, old man; no use
in being indignant with the Stars or their prophet-and, moreover, your
sovereign-what of it? At least, hear the matter out."

"Silence, ribald!" commanded the Queen, "you know not what you do.
Let him go-and go ignorant, if he will not be warned."

Joshua immediately turned back. "At all events, we will see this
thing out," he said. "Now, madam, you have given me advice, but I
paid for a fortune."

"Be warned!" said the gipsy. "The Stars have been silent for long;
let the mystery still wrap them round."

"My dear madam, I do not get within touch of a mystery every day,
and I prefer for my money knowledge rather than ignorance. I can get
the latter commodity for nothing when I want any of it."

Gerald echoed the sentiment. "As for me I have a large and
unsaleable stock on hand."

The gipsy Queen eyed the two men sternly, and then said, "As you
wish. You have chosen for yourself, and have met warning with scorn,
and appeal with levity. On your own heads be the doom!"

"Amen!" said Gerald.

With an imperious gesture the Queen took Joshua's hand again,
and began to tell his fortune.

"I see here the flowing of blood; it will flow before long; it is
running in my sight. It flows through the broken circle of a severed
ring."

"Go on!" said Joshua, smiling. Gerald was silent.

"Must I speak plainer?"

"Certainly; we commonplace mortals want something definite. The
Stars are a long way off, and their words get somewhat dulled in the
message."

The gipsy shuddered, and then spoke impressively. "This is the
hand of a murderer-the murderer of his wife!" She dropped the hand
and turned away.

Joshua laughed. "Do you know," said he, "I think if I were you I
should prophesy some jurisprudence into my system. For instance, you
say 'this hand is the hand of a murderer.' Well, whatever it may be
in the future-or potentially-it is at present not one. You ought
to give your prophecy in such terms as 'the hand which will be a
murderer's,' or, rather, 'the hand of one who will be the murderer
of his wife.' The Stars are really not good on technical questions."

The gipsy made no reply of any kind, but, with drooping head and
despondent mien, walked slowly to her tent, and, lifting the curtain,
disappeared.

Without speaking the two men turned homewards, and walked across
the moor. Presently, after some little hesitation, Gerald spoke.

"Of course, old man, this is all a joke; a ghastly one, but still
a joke. But would it not be well to keep it to ourselves?"

"How do you mean?"

"Well, not to tell your wife. It might alarm her."

"Alarm her! My dear Gerald, what are you thinking of? Why, she
would not be alarmed or afraid of me if all the gipsies that ever
didn't come from Bohemia agreed that I was to murder her, or even
to have a hard thought of her, whilst so long as she was saying
'Jack Robinson.' "

Gerald remonstrated. "Old fellow, women are superstitious-far
more than we men are; and, also, they are blessed-or cursed-with a
nervous system to which we are strangers. I see too much of it in
my work not to realize it. Take my advice and do not let her know,
or you will frighten her."

Joshua's lips unconsciously hardened as he answered: "My dear
fellow, I would not have a secret from my wife. Why, it would be
the beginning of a new order of things between us. We have no
secrets from each other. If we ever have, then you may begin to
look out for something odd between us."

"Still," said Gerald, "at the risk of unwelcome interference, I
say again be warned in time."

"The gipsy's very words," said Joshua. "You and she seem quite
of one accord. Tell me, old man, is this a put-up thing? You told
me of the gipsy camp-did you arrange it all with Her Majesty?" This
was said with an air of bantering earnestness. Gerald assured him
that he only heard of the camp that morning; but he made fun of
every answer of his friend, and, in the process of this raillery,
the time passed, and they entered the cottage.

Mary was sitting by the piano but not playing. The dim twilight
had waked some very tender feelings in her breast, and her eyes were
full of gentle tears. When the men came in she stole over to her
husband's side and kissed him. Joshua struck a tragic attitude.

"Mary," he said in a deep voice, "before you approach me, listen
to the words of Fate. The Stars have spoken and the doom is sealed."

"What is it, dear? Tell me the fortune, but do not frighten me."

"Not at all, my dear; but there is a truth which it is well that
you should know. Nay, it is necessary so that all your arrangements
can be made beforehand, and everything be decently done and in order."

"Go on, dear; I am listening."

"Mary Considine, your effigy may yet be seen at Madame Tussaud's.
The juris-imprudent stars have announced their fell tidings that this
hand is red with blood-your blood. Mary! Mary! my God!" He sprang
forward, but too late to catch her as she fell fainting on the floor.

"I told you," said Gerald. "You don't know them as well as I do."

After a little while Mary recovered from her swoon, but only to
fall into strong hysterics, in which she laughed and wept and raved
and cried, "Keep him from me-from me, Joshua, my husband," and many
other words of entreaty and of fear.

Joshua Considine was in a state of mind bordering on agony, and
when at last Mary became calm he knelt by her and kissed her feet
and hands and hair and called her all the sweet names and said all
the tender things his lips could frame. All that night he sat by
her bedside and held her hand. Far through the night and up to the
early morning she kept waking from sleep and crying out as if in
fear, till she was comforted by the consciousness that her husband
was watching beside her.

Breakfast was late the next morning, but during it Joshua
received a telegram which required him to drive over to Withering,
nearly twenty miles. He was loth to go; but Mary would not hear
of his remaining, and so before noon he drove off in his dog-cart
alone.

When he was gone Mary retired to her room. She did not appear at
lunch, but when afternoon tea was served on the lawn, under the great
weeping willow, she came to join her guest. She was looking quite
recovered from her illness of the evening before. After some casual
remarks, she said to Gerald: "Of course it was very silly about last
night, but I could not help feeling frightened. Indeed I would feel
so still if I let myself think of it. But, after all, these people
may only imagine things, and I have got a test that can hardly fail
to show that the prediction is false-if indeed it be false," she
added sadly.

"What is your plan?" asked Gerald.

"I shall go myself to the gipsy camp, and have my fortune told
by the Queen."

"Capital. May I go with you?"

"Oh, no! That would spoil it. She might know you and guess at me,
and suit her utterance accordingly. I shall go alone this afternoon."

When the afternoon was gone Mary Considine took her way to the
gipsy encampment. Gerald went with her as far as the near edge of
the common, and returned alone.

Half-an-hour had hardly elapsed when Mary entered the drawing-room,
where he lay on a sofa reading. She was ghastly pale and was in a
state of extreme excitement. Hardly had she passed over the threshold
when she collapsed and sank moaning on the carpet. Gerald rushed to
aid her, but by a great effort she controlled herself and motioned
him to be silent. He waited, and his ready attention to her wish
seemed to be her best help, for, in a few minutes, she had somewhat
recovered, and was able to tell him what had passed.

"When I got to the camp," she said, "there did not seem to be a
soul about. I went into the centre and stood there. Suddenly a tall
woman stood beside me. 'Something told me I was wanted!' she said.
I held out my hand and laid a piece of silver on it. She took from
her neck a small golden trinket and laid it there also; and then,
seizing the two, threw them into the stream that ran by. Then she
took my hand in hers and spoke: 'Naught but blood in this guilty
place,' and turned away. I caught hold of her and asked her to tell
me more. After some hesitation, she said: 'Alas! alas! I see you
lying at your husband's feet, and his hands are red with blood.'"

Gerald did not feel at all at ease, and tried to laugh it off.
"Surely," he said, "this woman has a craze about murder."

"Do not laugh," said Mary, "I cannot bear it," and then, as if
with a sudden impulse, she left the room.

Not long after Joshua returned, bright and cheery, and as hungry
as a hunter after his long drive. His presence cheered his wife, who
seemed much brighter, but she did not mention the episode of the
visit to the gipsy camp, so Gerald did not mention it either. As if
by tacit consent the subject was not alluded to during the evening.
But there was a strange, settled look on Mary's face, which Gerald
could not but observe.

In the morning Joshua came down to breakfast later than usual.
Mary had been up and about the house from an early hour; but as the
time drew on she seemed to get a little nervous, and now and again
threw around an anxious look.

Gerald could not help noticing that none of those at breakfast
could get on satisfactorily with their food. It was not altogether
that the chops were tough, but that the knives were all so blunt.
Being a guest, he, of course, made no sign; but presently saw Joshua
draw his thumb across the edge of his knife in an unconscious sort
of way. At the action Mary turned pale and almost fainted.

After breakfast they all went out on the lawn. Mary was making up
a bouquet, and said to her husband, "Get me a few of the tea-roses,
dear."

Joshua pulled down a cluster from the front of the house. The
stem bent, but was too tough to break. He put his hand in his pocket
to get his knife; but in vain. "Lend me your knife, Gerald," he said.
But Gerald had not got one, so he went into the breakfast-room and
took one from the table. He came out feeling its edge and grumbling.
"What on earth has happened to all the knives-the edges seem all
ground off?" Mary turned away hurriedly and entered the house.

Joshua tried to sever the stalk with the blunt knife as country
cooks sever the necks of fowl-as schoolboys cut twine. With a little
effort he finished the task. The cluster of roses grew thick, so he
determined to gather a great bunch.

He could not find a single sharp knife in the sideboard where
the cutlery was kept, so he called Mary, and when she came, told her
the state of things. She looked so agitated and so miserable that he
could not help knowing the truth, and, as if astounded and hurt,
asked her:

"Do you mean to say that you have done it?"

She broke in, "Oh, Joshua, I was so afraid."

He paused, and a set, white look came over his face. "Mary!"
said he, "is this all the trust you have in me? I would not have
believed it."

"Oh, Joshua! Joshua!" she cried entreatingly, "forgive me," and
wept bitterly.

Joshua thought a moment and then said: "I see how it is. We
shall better end this or we shall all go mad."

He ran into the drawing-room.

"Where are you going?" almost screamed Mary.

Gerald saw what he meant-that he would not be tied to blunt
instruments by the force of a superstition, and was not surprised
when he saw him come out through the French window, bearing in his
hand a large Ghourka knife, which usually lay on the centre table,
and which his brother had sent him from Northern India. It was one
of those great hunting-knives which worked such havoc, at close
quarters with the enemies of the loyal Ghourkas during the mutiny,
of great weight but so evenly balanced in the hand as to seem light,
and with an edge like a razor. With one of these knives a Ghourka
can cut a sheep in two.

When Mary saw him come out of the room with the weapon in his
hand she screamed in an agony of fright, and the hysterics of last
night were promptly renewed.

Joshua ran toward her, and, seeing her falling, threw down the
knife and tried to catch her.

However, he was just a second too late, and the two men cried out
in horror simultaneously as they saw her fall upon the naked blade.

When Gerald rushed over he found that in falling her left hand
had struck the blade, which lay partly upwards on the grass. Some of
the small veins were cut through, and the blood gushed freely from
the wound. As he was tying it up he pointed out to Joshua that the
wedding ring was severed by the steel.

They carried her fainting to the house. When, after a while, she
came out, with her arm in a sling, she was peaceful in her mind and
happy. She said to her husband:

"The gipsy was wonderfully near the truth; too near for the real
thing ever to occur now, dear."

Joshua bent over and kissed the wounded hand.